The Best American Nonrequired Reading 2011

November 8, 2010
David Sedaris's unflappable inventiveness translates, in the first section of this anthology, to a smattering of pieces with giddiness, daring, and heart. A particular highlight, by Wendy Molyneux, earned his award for "Best American Woman Comedy Piece Written by a Woman" and is guaranteed to set off snorts of delight with each re-read. In the second section, as in previous years, Eggers's picks prove solid and balanced, if expected. Rana Dasgupta's superb article, exploring India's new wealth and subsequent fallout, as well as David Rhode's profound and gripping account of his seven months as a Taliban hostage reflect not only the literary achievements of 2009, but also the horrors and complexities of these current times on. Meanwhile, Tea Obreht's "The Tiger's Wife" and Kurt Vonnegut's "The Nice Little People" embody the ageless miracles of surprise and originality that comprise the human imagination.

October 3, 2005
The fourth installment in the ubiquitous Eggers' series collecting offbeat magazine writing chosen by Bay Area teenagers underscores the continued blurring between fiction and nonfiction in contemporary American writing. Of 24 selections, 21 are written in first person, and much of the book has the feeling of memoir. Of the three exceptions, two are forgettable, but "Lost Boys," by Jeff Gordiner, is a fascinating piece of reportage (for Details) on the hundreds of young men weeded out of polygamous families along the Utah border, presumably to leave more wives for their elders. Other first-rate nonfiction pieces include Al Franken's account of his USO tour of Iraq (Mother Jones), Tish Durkin's profile of a mercenary soldier (Rolling Stone) and William T. Vollmann's gonzo search for Chinese tunnels in Mexico (Harper's). The fiction is more uneven, but varied stories by Jhumpa Lahiri, Molly McNett and Douglas Trevor make vivid impressions, and two, by Stephen Elliott and Rattawutt Lapcharoensap explore the older-and-younger-brother relationship, a subject dear to Eggers. This year, Eggers puts the cartoon and "filler" material into his forward, which is skippable (except for the young editors' self-written profiles), as is the short introduction by musician Beck.